New album NOISEWORKS now available

Visit the store

Also available:
Silver Line EP 2009
Waterfalls EP 2008
Changes EP 2007
Entropy Begins at Home 2006
Faux Feels 2005
Free downloads/mixtapes
T-shirts

tim's most recent tweet at @iamfauxpas:
  • loading most recent tweet...

3rrr radiothon – keep local radio alive

my radio station needs your help! please consider pledging your support, and help to keep melbourne’s strongest independent voice alive! read on if you need some more convincing… or subscribe now online!

a kindred spirit to new york’s wfmu, melbourne’s 102.7 3rrr fm is one of the strongest independent voices in the australian media. unlike 99% of radio stations, triple r has a strict “no playlisting” music policy, is run almost entirely by volunteers, and draws in an incredibly diverse array of broadcasters with the freshest of ideas & sounds.

any of you boffins trying to puzzle out the new music economy / freeconomy / whatever, might want to take a look at how rrr operates. rrr radio is free. its free on the airwaves in melbourne, and its free on the internet stream. but rrr is a non-profit organisation that does not take government funding. and the only sponsorship it takes is from community groups, bands & like-minded independent organisations. it relies on listener subscriptions to cover over 50% of its operational costs. each year, approximately 10,000 people – most of them from melbourne, but many from interstate and overseas – pitch in with an annual pledge, and it is that and only that which allows the station to continue to follow its bold, fiercely independent course.

just think on that for a moment – this time each year, about 10,000 people come together to pay for something that they can get for free. for some its $30, for some particularly passionate benefactors its much much more. but it all adds up, and it keeps the station running for another 12 months. at which time, radiothon starts again, and listeners are asked to pitch in again.

its a remarkable, truly stunning thing, when you think about it. and there’s something in the way the station operates, its ‘operational model’ or whatever, that surely holds some lessons for musicians & record labels not sure what the right way is to sustain their own music-making operations. people will contribute money willingly to support honest, independent & creative communities. hmmm.

anyway. i started out as a listener to rrr, and have them to thank for most of my early formative listening experiences. it was the ghost that introduced me to neu & harmonia, it was steve phillips who showed me outhud and four tet, later on it was woody that was heralding diplo & bmore, and it was declan kelly memorialising dilla and canonising the beat generation. it really says something that in the internet era, when everything is at your fingertips, automated personalised niche playlists – it is often still rrr where i hear the unexpected unknown stuff that i come to truly love. to listen to a rrr show, presented by a volunteer driven by a pure love of music, is to be taken on a unique immediate journey by a real person with a real context. this is, quote unquote, ‘the magic of radio.’

anyway. my journey with rrr. after listening for years, i sent them burnt copies of my very first CD, and they actually played it, which i found staggering. then i sent them copies of my first album, and – despite the fact that i had no retail distribution, no record label, and was only 6 months old as a ‘band’ – they made it album of the week. i felt like i’d won the lottery. nothing beats the time i giddily took that phone call from woody & fee b squared, standing in the middle of sportsgirl in ringwood. except perhaps, the phone call a couple of years later when rrr asked dave and i to join the family and become broadcasters. that call, incidentally, was while i was a on a v-line train to bairnsdale. those 2 phone calls are up there with the most goosebump-y moments in my life, believe it or not.

so. there are few things i’m prouder of than the fact that i am a rrr broadcaster. one of those things, is the fact that i am a rrr subscriber. subscribe, and you’ll feel it too.

please consider subscribing to the station to keep 3rrr – and melbourne’s dynamic, independent music scene – alive for another year.

shit yeah!

subscribe now on (03) 9388 1027 or online at www.rrr.org.au

update: still not convinced? here’s austereo/MMM alumni (and regular 3RRR guest) tony martin, recorded live on monday night teaching rrr’s lime champions how to “do radio.”

0 comments:

There are no comments yet...

Kick things off by filling out the form below.

Lend your voice to This Thrilling Online Conversation:

Return to the home page.

Subscribe to the Faux Pas blog via RSS Random blog post LUCKY DEEP

August 2010

/// New 6-track Vanderbilt EP features two Faux Pas tracks plus remixes by Crumbs, Aoi, Pasobionic and Lewis CanCut. Its a free download, get it here.

/// My album Noiseworks – featuring “Vanderbilt”, “Chasing Waterfalls” and “Silver Line” – is available here.

/// I’ve been working on remixes for local bands Rat vs Possum and Flying Scribble. These are good people.

/// I’ve started making some new songs – if you want to have a sneak peek at what they sound like, here is the place to start.


 
 

Tim Shiel lives in Melbourne. He makes music under the name FAUX PAS, and is also a broadcaster on public radio station 3RRR FM. This blog began in 2005.

Read more >>>

Tim’s meaningful BIOGRAPHY

1981: Born in Melbourne Australia, life feels empty and without meaning

2005: FAUX PAS created – life still meaningless

2010: Tim writes brand new three-line biography

Press photos:

    

“Cool Quotes”

“Psychedelic. Balearic. Straight up pop. Call it what you want, this is memorable music.” keytarsandviolins

“Lush, dreamy future pop that just begs you to dive in headfirst, your heart in close second. Just be careful how many times you dip in – you might find yourself blissfully lost in here.” mess+noise

“Impressive elastic strands of plaited sense associations; extract of flashy disco, pastoral swoon and computer exploration.” threethousand

“A total cottage industry – one guy recording, pressing and releasing his own music – and it’s an example of how to do it right from the bottom up.” Stylus

“A manic journey of sounds, bound by neither genre nor era.” Beat

“Cuts-and-pastes big samples with delicately rendered instrumentation. A party jam. Four stars.” Pitchfork

THE EMAIL

Tim: tim@iamfauxpas.com