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Also available:
Silver Line EP 2009
Waterfalls EP 2008
Changes EP 2007
Entropy Begins at Home 2006
Faux Feels 2005
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tim's most recent tweet at @iamfauxpas:
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why there is no faux pas live show

and probably never will be:

1. i don’t know how

2. i don’t like live music

3. the whole idea of doing it fills me with paralysing despair. this is what it looks like when i try to imagine how i could possibly translate my music into an enjoyable form of live performance:

there, its official. i have never ever intended for my music to be performed. if i ever implied otherwise, i’m sorry but i was lying. my music is not performance, it is production. there is much value in both forms of music – hooray for those blessed with the ability to align the two. to whoever it may concern – may you enjoy my recorded output for the years to come!

8 comments:

1 jason { 07.22.08 at 3:48 pm }

i completely *completely* understand.

respect. may the recorded form live on!

:-)

x jase

2 bob { 07.22.08 at 5:35 pm }

booooo!

3 Van Bongo { 07.22.08 at 8:39 pm }

Can you borrow the Kraftwerk robots?

4 Van Bongo { 07.22.08 at 8:41 pm }

(Leaves all your time free for bike riding or trans-continental rail travel, whatever you’d rather be doing.)

5 joh-un { 07.23.08 at 3:29 am }

I don’t see the reason for heads exploding.

If you don’t do a live show, whatever.
You don’t need to do a live show.

A good song is a good song.

A good record is what most people get into.

I never ever saw a Nirvana concert, to put forward an old skool example, but jeepers creepers (where’d ya get dem beepers??) it didn’t stop me from buying every bloody album…

You just need film clips and albums…

The rest is to recoup record label costs… but you’re independent… make independent everything & who needs a live show in this age of blu-ray & pokie machines????????

6 Tom { 07.23.08 at 1:41 pm }

Fair play I suppose, I’ll stop pestering you about it biannually. But maybe you could work with this Cronenberg thing…

7 Eric { 07.24.08 at 6:53 am }

You obviously haven’t seen me playing Changes on my knee-percussion mid-tramtrip

8 Tim { 07.29.08 at 12:45 am }

thanks everyone for your comments! to anyone who isn’t aware, jason, bob and tom all manufacture live sets of (at least partially, in some cases entirely) electronic music around town, and they do it well. check them out:

http://www.soundslikesweeney.com
http://www.zealousy.com.au
http://myspace.com/cleptoclectics

@ von bongo – i think the kraftwerk robots are booked up. i’m instead going to get the mannequin from, well, the movie mannequin. did you know, mannequin was filmed at woolworths?

@ joh-un – sound advice! but there is always a time from exploding heads. exploding heads are fun. i have to say the idea of extending the reach of faux pas into the world of poker machines is intriguing and, may i say, potentially a stroke of genius…

@ eric – oh you’re that dude? i thought you were playing “state of the heart” by mondo rock

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July 2010

/// New 6-track Vanderbilt EP features two Faux Pas tracks plus remixes by Crumbs, Aoi, Pasobionic and Lewis CanCut. Its a free download, get it here.

/// My album Noiseworks – featuring “Vanderbilt”, “Chasing Waterfalls” and “Silver Line” – is available here.

/// I’ve been working on remixes for local bands Rat vs Possum, Flying Scribble and Akimbo. These are good people.

/// I’ve started making some new songs – if you want to have a sneak peek at what they sound like, here is the place to start.


 
 

Tim Shiel lives in Melbourne. He makes music under the name FAUX PAS, and is also a broadcaster on public radio station 3RRR FM. This blog began in 2005.

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Tim’s meaningful BIOGRAPHY

1981: Born in Melbourne Australia, life feels empty and without meaning

2005: FAUX PAS created – life still meaningless

2010: Tim writes brand new three-line biography

Press photos:

    

“Cool Quotes”

“Psychedelic. Balearic. Straight up pop. Call it what you want, this is memorable music.” keytarsandviolins

“Lush, dreamy future pop that just begs you to dive in headfirst, your heart in close second. Just be careful how many times you dip in – you might find yourself blissfully lost in here.” mess+noise

“Impressive elastic strands of plaited sense associations; extract of flashy disco, pastoral swoon and computer exploration.” threethousand

“A total cottage industry – one guy recording, pressing and releasing his own music – and it’s an example of how to do it right from the bottom up.” Stylus

“A manic journey of sounds, bound by neither genre nor era.” Beat

“Cuts-and-pastes big samples with delicately rendered instrumentation. A party jam. Four stars.” Pitchfork

THE EMAIL

Tim: tim@iamfauxpas.com