New album NOISEWORKS now available

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Also available:
Silver Line EP 2009
Waterfalls EP 2008
Changes EP 2007
Entropy Begins at Home 2006
Faux Feels 2005
Free downloads/mixtapes
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tim's most recent tweet at @iamfauxpas:
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greater skill focus

sorry for the extended blog silence. i get older, the weeks get shorter. time flies. i wish i could say i’ve been busy and productive – truth is most of my time has been spent building my new D&D character. he is a monk/conjurer called theo:

i might upload my character sheet later in the week if you are really lucky.

thanks to the people who have left comments on the blog in the last few weeks, particularly those who went the extra mile with some thoughtful responses to my rant on ‘transparent costs of production’ and free music and whatnot. and here i was thinking that the only people who read this blog were complete imbeciles. some of you have brains in your heads. i’d respond to your comments except that i have spent the last weekend watching the 2020 summit, which resulted in an equivalent effect to me having had a complete brain amputation. nah fo serious, i will try and respond to youse bitches with some thoughtfully rendered articulations and shit.

here are 11 things i’m currently loving:
- wax stag! i’m digging sound and safe on wfmu with trent, here is his show featuring the genius of wax stag
- arpin light easily my favourite album of the year so far
- four tet – don’t think about it too much just enjoy it
- moonbeam “slow heart” and sascha funke “mango” – ditto
- hot chip – one pure thought (supermayer remix)
- kraftwerk – ralf and florian 1973. this is the first kraftwerk album i’ve heard and actually loved rather than just ‘appreciated’ as all of us electronic types are meant to ‘appreciate’ kraftwerk. i love them but this is the first album i’ve heard of theirs thats hit a nerve with me. i tracked it down after seeing it on a list that arp made for dusted magazine – his other recommendations (jards macale, franco battiato, group inerane) are similarly spot on.
- babatunde olatunji drums of passion 1959. so fresh!
- herbie hancock – sextant 1972. so stale! god herbie was a massive dork
- stevie nicksedge of seventeen

yeah stevie nicks. i really love that a lot of the 70s and 80s film clips uploaded to youtube come from worn and weary VHS tapes that have seen far better days. the scratches and wobbles make for instant nostalgia for those of us who used to tape video hits onto VHS every weekend:

ahh thats only ten things. number eleven: house of cosbys.
ok. more soon!

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July 2010

/// New 6-track Vanderbilt EP features two Faux Pas tracks plus remixes by Crumbs, Aoi, Pasobionic and Lewis CanCut. Its a free download, get it here.

/// My album Noiseworks – featuring “Vanderbilt”, “Chasing Waterfalls” and “Silver Line” – is available here.

/// I’ve been working on remixes for local bands Rat vs Possum, Flying Scribble and Akimbo. These are good people.

/// I’ve started making some new songs – if you want to have a sneak peek at what they sound like, here is the place to start.


 
 

Tim Shiel lives in Melbourne. He makes music under the name FAUX PAS, and is also a broadcaster on public radio station 3RRR FM. This blog began in 2005.

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Tim’s meaningful BIOGRAPHY

1981: Born in Melbourne Australia, life feels empty and without meaning

2005: FAUX PAS created – life still meaningless

2010: Tim writes brand new three-line biography

Press photos:

    

“Cool Quotes”

“Psychedelic. Balearic. Straight up pop. Call it what you want, this is memorable music.” keytarsandviolins

“Lush, dreamy future pop that just begs you to dive in headfirst, your heart in close second. Just be careful how many times you dip in – you might find yourself blissfully lost in here.” mess+noise

“Impressive elastic strands of plaited sense associations; extract of flashy disco, pastoral swoon and computer exploration.” threethousand

“A total cottage industry – one guy recording, pressing and releasing his own music – and it’s an example of how to do it right from the bottom up.” Stylus

“A manic journey of sounds, bound by neither genre nor era.” Beat

“Cuts-and-pastes big samples with delicately rendered instrumentation. A party jam. Four stars.” Pitchfork

THE EMAIL

Tim: tim@iamfauxpas.com