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the weekly mp3 experiment is, perhaps predictably, over until further notice – if you’ve been downloading and enjoying the demos and remixes i’ve been featuring the last few months, thankyou for listening, and thanks for the feedback.

1 comment:

1 Shannon { 08.18.07 at 8:45 am }

Why? Why?!
Your demos were one of the things I looked forward to every week. What is my life going to amount to now?
Seriously.

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February 2010

/// The second Faux Pas full-length is called Noiseworks and will be released in April 2010. Its a joint release between Sensory Projects and Heroics.

/// See the awesome cover art (courtesy of New York artist Tomokazu Matsuyama) here.

/// The new record features extended versions of singles “Chasing Waterfalls” and “Silver Line” – the single edits however, are still available for free download.

/// Also, you can listen to four remixes of Silver Line (courtesy of Kharkov, Kane Ikin, Loopsnake and myself) here.

/// Lastly – I’ve started posting a demo or spontaneous jam once a week on my Facebook page. It has been going for a few weeks. Be warned: results may vary. Check it out – you don’t need to be a Facebook member to listen/download them.

Tim Shiel lives and in Melbourne. He makes music under the name FAUX PAS, and is also a broadcaster on public radio station 3RRR FM. This blog began in 2005.

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Tim’s SUPER RAD BIOGRAPHY

1981: Born in Melbourne Australia, life feels empty and without meaning

2005: FAUX PAS created – life still meaningless

2009: Tim writes brand new three-line biography

Hi-res press photos:

  

Photos by James McCulloch

Super awesome Press Quotes of the Ages

“Psychedelic. Balearic. Straight up pop. Call it what you want, this is memorable music.” keytarsandviolins

“Impressive elastic strands of plaited sense associations; extract of flashy disco, pastoral swoon and computer exploration.” threethousand

“A total cottage industry – one guy recording, pressing and releasing his own music – and it’s an example of how to do it right from the bottom up.” Stylus

“A manic journey of sounds, bound by neither genre nor era.” Beat

“Cuts-and-pastes big samples with delicately rendered instrumentation. A party jam. Four stars.” Pitchfork